Last week Node’s Innovators Grant Program officially began. On Tuesday 18 August, we welcomed the innovators Aleksandra Berditchevskaia, Saumya Bhatt, Gabriela Durán, Stine Marie Jacobsen, Silke Lange, Irene Lapuente and David C. Terry.
Coming from very different fields our innovators will be collaborating during 8 weeks together with Node’s director Perla Montelongo and coordinator, Lauren Reid to investigate the potential of art thinking as a useful tool in other fields.
For two days our innovators attended an intensive Design Thinking workshop with Adi Herda and Sabine Shutter from What Would Harry Do?, a creative collective of international, trained in human-centered innovation at HPI School of Design Thinking. An adapted structure of Design Thinking methods will be followed during the program – alternating between research, ideation, prototy- ping and testing.
Here are some pictures of the first week of the Program. Hard work from the first moment, but still time to toast, ceremonially seal our collaboration (via nail polish) and have fun!
Stay tuned to this blog and sign up to our newsletter for weekly updates of our Program.
– Node Center Notebooks Vol. 1 –
A collection of exercises from the online course “Creative Forms in Art Writing”, lectured by An Paenhuysen
The Innovators Grant is a program for investigating how thinking and strategies used in the arts can be applied for innovation in other sectors. It brings together a group of 7 ‘innovators’ from different fields to collaborate during an 8 week funded program that runs once per year.
Within the program we seek to research the potential of art practice beyond artworks and exhibition-making, asking the core question: how could art be used as a beneficial tool in other fields?
Each year the topic will be centered on a specific theme. In 2015 we will focus on how art-thinking can be used to create a learning tool for non-formal education settings.
By art-thinking we are referring to all of the strategies that an artist undertakes prior to creating a work, such as divergent thinking, questioning the everyday, using intuitive approaches and finding different access points or pathways to known topics.
Through researching and adapting these strategies we aim to develop a learning tool that can be used practically and also adapted and modified to different subjects or fields for non-formal educational situations.
During the program the innovators will collaborate together following an adapted structure of Design Thinking methods alternating between research, ideation, prototyping and testing until a satisfactory outcome is achieved.
The final outcome is intended to be a manual of techniques derived from art-thinking to be used as a learning tool in non-formal education settings.
It is our intention that the tool will be accessible to many contexts with the possibility to further develop and mutate in future according to different settings. The first version will be available in November 2015, if you are interested in testing, or adapting it, please contact us.
Applications for 2015 are already closed. In November 2015 we will announce the upcoming research topic and will launch a new open call for the Innovators Grant Summer 2016. To stay up to date, please sign up to our mailing list.
SELECTED PARTICIPANTS 2015
We are very pleased to present the Innovators for 2015 who will work together with the Node team to investigate how art-thinking can be used to create a learning tool for non-formal education settings:
Aleksandra Berditchevskaia is a neuroscientist working in a group that investigates how sensory information is processed by neural circuits. Her own research specifically looks at motivational influences on perceptual processing during simple visual behaviours. Beyond this, Aleks is involved in a number of projects at the crossover between arts and sciences. She is interested in exploring the complementary practices of artists and scientists as creators of content in an educational or visitor experience capacity.
In the past, she has acted as a science consultant during the development of an educational resource pack for primary schools in south London. This project looked to use art methods to teach the science curriculum. Currently she is collaborating with artist Alistair McClymont on a gallery installation “One should never mistake pattern … for meaning”, which considers the gallery space as a platform for both preliminary research and artistic exploration into the nature of subsonic sound perception.
Saumya Bhatt is an Associate Curator, Programming and Exhibitions at the Kiran Nadar Museum of Art, New Delhi. Along with exhibitions and programming her area of interest is art education. She has been closely working with young children in programs outside of the museum. She completed her masters in Arts in Arts and Aesthetics from School of Arts and Aesthetics, Jawaharlal Nehru University and a post graduate diploma in Film Production from St. Xaviers College, Mumbai. She has previously worked as a researcher and production manager for Wide Angle films, a New Delhi based film production house.
Gabriela Durán has an M. A. on Experimental Psychology and a Ph.D. in Social, Cognitive and Neurosciences from the University of Texas at El Paso. She did her postdoctoral studies at the University of Arizona, where she is currently a visiting scholar, with a focus on Scientific Aesthetics. She is also a professor of visual arts at the Universidad Autónoma de Ciudad Juárez since 2006 and is part of the National System of Researchers (SNI) in Mexico.
Gabriela’s recent research has focused on better understand the role of conceptual knowledge in art appreciation as well as the use of new media technologies in the development of community-based art. Her work has been published on the Journal of Experimental Psychology: Learning, Memory, and Cognition, Journal of Vision, and the international anthology Dialogues Across Diasporas. Currently she is collaborating on two funded community-based projects with artists from Arizona and New Mexico respectively.
Stine Marie Jacobsen
Stine Marie Jacobsen is a conceptual artist living in Berlin and Copenhagen. Key themes in her work are cinema and film, death and violence, gender archetypes, anonymity, as well as their portrayal and presentation in film and reality.
Stine has a Master of Fine Arts from the Royal Danish Art Academy in Denmark and a Bachelor of Fine Arts from CalArts, California Institute of the Arts, Los Angeles, USA.
She has had solo shows at Künstlerhaus Bethanien, 2012, Berlin, Koh-i-noor, 2010, Copenhagen, District Kunst- und Kulturförderung, 2014, Berlin, Galway Arts Center, 2014, Galway, Ireland and Overgaden institute of contemporary art, 2015, Copenhagen, Denmark. Selected group shows include Six Impossible Things Before Breakfast, Momentum Biennale 2013, Moss, Norway, Either Or Nikolaj Kunsthal, 2013, Copenhagen, Idyll Turku Biennale, Turku, Finland, The 10th OPEN International Performance Festival, 2009, Beijing.
Silke Lange is Associate Dean of Learning, Teaching and Enhancement at Central Saint Martins, University of the Arts London. Prior to this, she was Director of Learning and Teaching in the Faculty of Media, Arts and Design at the University of Westminster. Her research focuses on the creative process, collective learning, interdisciplinarity and learning environments. From 2010 – 2015 she was the educational researcher on Broad Vision, an art/science program that offered students across the University of Westminster a range of opportunities for art/science collaborative research and interdisciplinary learning.
Silke’s recent investigations into learning environments have been published in an international anthology on Learning Space Design as a co-authored chapter entitled: Promoting Collaborative and Interdisciplinary Learning via Migration between different Learning Spaces. She has been external examiner at various institutions and works as a consultant for the Centre for Inclusion and Collaborative Partnership at the Open University, and has chaired and participated in a number of validations and institutional reviews.
Irene Lapuente is the founder and director of La Mandarina de Newton SL. Before creating her own company, Irene accumulated almost ten years of experience in science communication, education, museums, media development and project management. She was the Head of Communications at the Catalan Institute of Paleontology and at the LSI department of the UPC. She also worked at CosmoCaixa Barcelona and as secondary school teacher at Oak House School.
Irene graduated in Physics from the University of Barcelona and has a Postgraduate in Science Communication (UPF) and in Science Documentaries Creation (UPF), and a Teacher Training Postgrad (UPC). She has been involved with classical and contemporary dance from an early age, with a degree in ballet from the Royal Academy of Dance in London.
Her main interest lies in the intersection of learning, science and other forms of knowledge as the learning that derives from a situated body. The main motivation behind the La Mandarina de Newton project is to explore this intersection.
David C. Terry
David C. Terry is the Director of Programs and Curator at the New York Foundation for the Arts (NYFA) where he oversees the Fellowships, Curatorial, Sponsorship and Professional Development Programs. Prior to coming to NYFA, David was Assistant Director at the Pelham Art Center, where he directed the exhibition, educational and outreach programs.
He earned his BA at the College of William and Mary, and while earning his MFA in Sculpture from the University of Pennsylvania, David began his administrative, curatorial and teaching career at the Philadelphia Arts League.
David is a working artist, curator, juror, and has been a panelist for the New York State Council on the Arts, Bronx Council on the Arts, Westchester Biennale, the Alexander Rutsch Award in Painting, the Woodstock Byrdcliffe Artist in Residence Program, Lumen Arts Festival, and a member of the GIA Support for Individual Artists Group Steering Committee as well as Board Member of the College Art Association and the Fine Arts Federation.
The research will be guided by and developed in collaboration with Perla Montelongo (Director) and Lauren Reid (Coordinator) of Node Center.
Perla is Director of Node Center for Curatorial Studies, her main focus is on designing alternative learning strategies from and for contemporary art. In 2010, she co-founded Node Center, establishing it as a place for teaching researching, and experimenting with subjects related to curatorial studies and contemporary art practices. Perla develops and defines Node Center’s structure which has included the Collaborative Curatorial Residencies, Online Educational Platform and now the Innovators Grant.
As lecturer, she has worked in Universities in Mexico – Universidad Autónoma de Ciudad Juárez, UACJ- and in Spain – Escola Superior de Disseny ESDi – until she founded the independent art education program Visions of Art in 2009, dedicated to the professionalization of emerging artists in Iberoamerica.
Lauren Reid is an independent curator based in Berlin. She has been Coordinator at Node Center for Curatorial Studies since 2012 where she also teaches the online course ‘Expanding Exhibitions: Innovative Approaches to Curating’.
Lauren is Co-director of the independent art space insitu (since 2014) and of the Project Space Festival Berlin. Recent curatorial projects include ‘Haunted Thresholds: Spirituality in Contemporary Southeast Asia’ which was realised at the Kunstverein Göttingen in collaboration with the research network ‘Dynamics of Religion in Southeast Asia’ and the Ethnographic Collection, Georg-August-University.
She holds a Bachelor of Visual Arts/Arts (Gender, Sexuality and Culture Studies), Australian National University and Honours in Media Arts, Sydney College of the Arts.
The participation of the Innovators from England, U.S.A. and India is kindly supported by:
‘Come and play with us. Come and play with us, Danny. Forever… and ever… and ever’. Remember the terrifying scene with the Grady twins in Stanley Kubrick’s hit 1980s horror film The Shining? Well, nothing to be scared, playing with us is not quite as scary as the unforgettable Kubrick’s scene, but here comes horror: Horror Vacui.
In visual arts, horror vacui (from Latin “fear of empty space”) is the filling of the entire surface of a space or an artwork with detail. And, Horror Vacui is the name given to an urban game developed by Node’s Director, Perla Montelongo, together with street game designer and philosopher, Viktor Bëdo for Tacit Dimension.
Horror Vacui is a visual street game about creating landscapes devoid of living persons. Players are asked to create a visual impression of a deserted urban landscape with the camera of their mobile phones and to fight against players who are trying to populate these landscapes. Players experience the contrast between bustling affairs and emptiness and gain tacit knowledge about the concept of void.
In Horror Vacui, the establishment of the Void rules the world. The Void Agents patrol the cities to reproduce landscapes devoid of any human beings. Yet there still exist people with a severe horror vacui syndrome, the Void Phobics. They are driven by the need to sabotage the efforts of the Void Agents to record deserted landscapes. The fight of these two forces for visual dominance never stops!
The game was commissioned by the exhibition Tomrom, curated by ex Node’s resident curator, Maria Veie, at Sandefjord Arts Forum, Norway, and premiered on May 9th 2015 in Sandefjord. Here the instructions of the game and some pictures:
The real horror…
These last weeks at Node have been quite intense. The Innovators Grant’s Open Call had a great response and we got an unexpected high number of applications for the new Residency Program. It has been a long and hard selection process, but we believe we have achieved a great final group of residents. The announcement of the selection is coming very soon. Stay tuned!
Decisions being made: Node’s Director, Perla Montelongo and Node’s Coordinator, Lauren Reid in action!
Agora is a dynamic site that functions not only as an exhibition space, but also a restaurant, co-working space, residency and place for events.
Check out our great film crew, Tuleka Prah and Signe Tveskov in action on site and watch the full video below!
We recently visited some of the team at Kleine Humboldt Galerie to find out what makes them tick for our new video series ‘Species of Spaces’ on Node TV. Here we are exploring some of the most exciting terrain of the Berlin art scene: its project spaces! In this video series, we examine how project spaces adapt to their surroundings, work within limitations and challenge standards to create new, often surprising outcomes.
The Kleine Humboldt Galerie is one of the longest running spaces in Berlin, established in 1978. Today, an ever-evolving team of students at the Humboldt University develop exhibitions there, crossing fields and working not only within the gallery itself but at times in and with the historical architecture of the university.
At Node Center we are very interested on finding new methodologies for research and creating knowledge. Recently we started a collaboration with Tacit Dimension, an organisation led by Viktor Bedö that explores Game Design for urban planning.
Last week we joined Tacit Dimension in Aalborg, Demark; to give a workshop on Game Design as a tool for Artistic Research at Aalborg University. Lots of work, biking, prototyping, talking, playing, biking again, testing, working at the cemetery… here some pics of the workshop!